I own a variety of analogue cameras: some SLRs (a Nikon FM2 and an Olympus OM-2), some Lomography oddities (Sprocket Rocket, Spinner 360, Fisheye), a Salyut-S (Soviet-era Hasselblad copy), a Kodak Brownie, Olympus Trip 35, etc. And I also did a workshop with pinhole camera maestro Ilan Wolff. But my prize possession is a Mamiya C3, a medium format camera, given to me by my Uncle just before he died. I used it to take a series of photographs of the west coast of the Iberian peninsula, which I call Atlántico. Read more about that here.
The first image I shot with the Mamiya C3, which was the inspiration for Atlántico
Rural France, 2016, shot with my Nikon FM2.
Trees in Gerês national park, Portugal, 2014. Shot with Nikon FM2.
The Triana Bridge in Sevilla, shot with a homemade pinhole camera. The shutter is a piece of black tape! The distortion is because the image is shot on a piece of photographic paper taped to the curved side of a tin that forms the camera.
View of the mountains around Granada, shot with Lomography Sprocket Rocket
The medina in Marrakech. Nikon FM2/Ektar 100.
Lake Enol, Cangas de Onís, Asturias, Spain. Mamiya C3/T-Max 100.
